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home blog reviews links editorial services about contact events book club purchase books olivia chadha home blog reviews links editorial services about contact events book club purchase books top home blog reviews links editorial services about contact events book club purchase books newer older where to purchase balance? amazon barnes and noble tattered cover boulder bookstore olivia kaur chadha began her writing career with a stint in los angeles writing comic book scripts. balance of fragile things is olivia's first novel, and some of her other works have appeared in pinyon, damselfly press, and every day fiction . olivia holds a ph.d. from binghamton university’s creative writing program and has taught writing at binghamton university and the university of colorado, boulder. like her stories and characters, olivia brings a boundary-blurring perspective to her writing: she was born in illinois, raised in new jersey, and grew up in southern california. her family is of mixed latvian/german and punjabi sikh descent. currently she's writing a supernatural young adult novel set in the mountains of colorado. learn about balance of fragile things . q&a with olivia chadha, author of balance of fragile things by midge raymond q: how did you come up with the idea for balance of fragile things , and why did you want to tell this story? a: the book is a culmination of cultural narratives that consider the powerful connection i’d always felt to the land through my parents and their cultures. while studying literature at binghamton and c.u., i found it difficult to get my hands on books that were considered both multiethnic and environmental. postcolonial eco-critical ideas were just converging as a sort of late-to-the-party nuanced theory. i have always felt a strong connection to the environment and land, and i attribute that to my parents’ love for nature and the stories that my grandmother on my mom’s side imbued me with when i was a child. in order to reconcile this strange lack, i took it upon myself to craft this book. the family, the singhs, represents the quintessential american family that rarely gets the center stage in a work of fiction. to me, they are simply an all-american hodgepodge of a family. they fight to assimilate while holding onto their history and personal cultures. q: what were some of the sociological issues that you wanted to explore in this book? a: i feel that we today have the luxury to reflect upon the past with comfort and peace. we have a privileged position in history. though there are many of us who are still marginalized, as americans we already have a voice. though we still have plenty of barriers to break down, we have the ability to speak and write about the things we need to change. we are gifted with so many freedoms we don’t have the ability to recognize because of our birthright. we need to take care of the freedom we have. we should be careful not to become complacent. many of us were born with this kind of haunting feeling that we cannot take for granted what our ancestors fought so hard to achieve. they made it to america, but not without loss. many of them encountered severe racism when they arrived. but still, they arrived. they escaped not unscathed because there, in the past, their relatives died. their families died. they shed their blood all across the land, and yet here we are born. it is like being culturally haunted. here we stand. we are protected. we have so much opportunity. why would we waste one single day? this is the fire that drove me to write this book. in a way, i sought to memorialize the past and merge it with my present concerns regarding the environment. shortsightedness is the biggest failure of our privileged position as americans. with the ability to change in our hands, why would we choose to stop seeing the outcomes of so many of our actions? rather than focusing on growing, we should be focusing on improving our systems, industries, lifestyles, quality food availability, etc. why do we choose to be blind to the poisons we release into the ether and water? we are intelligent enough to know there will be consequences. let knowledge be the first step. then action. q: what was your inspiration for the setting of balance of fragile things ? a: i began research for the book the spring of 2006, in endicott, new york. i was just finishing my first year of study at binghamton university (suny), and all seemed well. until, that is, it started to rain. it rained for days, weeks, until the rivers breached and the town flooded. the roads and bridges washed out. then the warnings came. endicott residents: do not use the water from your tap. boil water, or use bottled purified water for cooking, eating, and showering . the national guard came by and taped up the faucets. i fell ill, as did many others. i did some research and found that my apartment was strangely close to an old ibm facility, and that same facility had previously been a leather treatment plant, and so on and so forth into historical chemical contamination land. ibm stored vocs (volatile organic compounds) in leaky drums under the town when it closed down the facility. these same vocs, i later found out, had caused cancer and birth defects, and the town is now in a suit against ibm for their corporate carelessness. these same barrels were on the water line in endicott. the vocs were in the water supply during the flood. i was enraged. i relocated. permanent endicott residents were not so lucky. their housing prices continue to drop. illnesses abound. i felt it was important to set this novel in a place like endicott during the flood because their stories rarely reach a wide audience. q: what was your writing process like? a: i did a lot of research while simultaneously writing. i traveled to northern india with my parents and grandmother in order to trace her path after the partition. i needed to see where my father’s family was from. i also traveled with my mother to riga, latvia, a place she had never been. her mother was latvian, her father german, and she was born in post-war germany. even so, her mother, my oma, was such an influential character of my childhood, and her tales of latvian life always haunted me. the character of oma made so much more sense after visiting riga. i saw oma’s face in so many other faces around us. i wrote nearly every day and, before this final version, i wrote three versions. the first was experimental. the second was a more traditional tale. the third was a combination of the two. because there are six different points of view, it was more complicated than i had originally imagined. though the characters were and still are so clear in my mind, and their voices and internal narratives are as well, the thing i struggled with most was point of view. i write in my home office. when i am writing, the office becomes an art exhibit for the book on which i am working. i collect images and art objects that inspire settings and tack them to the walls. i take photographs from my butterfly watching, and other tchotchkes that draw me sensually into the world. for this book i made a sound track that consisted mostly of opera, madame butterfly and other very dramatic pieces. every morning, i would take my coffee with me into the office, sit down, light a candle, press play on my ipod, and bam! , i was right there where i left off. i also heed the advice of hemingway in that i never finish a full sentence when i am ready to stop writing. i leave it half done so that my brain has to wrap itself around finishing that sentence the next morning and returns immediately to the world of words. q: what was your research process like? a: i spent time researching and interviewing family members about their experiences during the partition, along with academic research about the aftereffects of the partition. i traveled extensively in the punjab up to the border of pakistan, but we didn’t cross, as it wasn’t safe at the

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http://www.oliviachadha.com/reviews/
http://www.oliviachadha.com/blog/
http://www.oliviachadha.com/purchase-a-signed-copy-balance/
http://www.oliviachadha.com/home/
http://www.oliviachadha.com/events/
http://www.oliviachadha.com/editorial-services/
http://www.oliviachadha.com/contact/
http://www.oliviachadha.com/links/
http://www.oliviachadha.com/book-club-discussion-questions/

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Domain Name: OLIVIACHADHA.COM
Registry Domain ID: 1671360416_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.godaddy.com
Registrar URL: http://www.godaddy.com
Updated Date: 2018-08-11T17:21:09Z
Creation Date: 2011-08-10T14:42:50Z
Registry Expiry Date: 2020-08-10T14:42:50Z
Registrar: GoDaddy.com, LLC
Registrar IANA ID: 146
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: 480-624-2505
Domain Status: clientDeleteProhibited https://icann.org/epp#clientDeleteProhibited
Domain Status: clientRenewProhibited https://icann.org/epp#clientRenewProhibited
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Domain Status: clientUpdateProhibited https://icann.org/epp#clientUpdateProhibited
Name Server: NS33.DOMAINCONTROL.COM
Name Server: NS34.DOMAINCONTROL.COM
DNSSEC: unsigned
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  REGISTRAR GoDaddy.com, LLC

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =oliviachadha.com

  PORT 43

  TYPE domain

DOMAIN

  NAME oliviachadha.com

  CHANGED 2018-08-11

  CREATED 2011-08-10

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  NS33.DOMAINCONTROL.COM 97.74.106.17

  NS34.DOMAINCONTROL.COM 173.201.74.17

  REGISTERED yes

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